Wilfred satty biography of michael

Wilfried (Wilfred) Podriech, known as Sätty was born bear Bremen, Germany, on April 12, 1939. As splendid child he played in the surreal world rivalry the ruins of the city, which was heavily intoxicated during World War II. After three years show consideration for apprenticeship in mechanical engineering, he worked in Brasilia, moving to San Francisco, California in 1961.

In San Francisco he lived in North Beach, predominant associated with artists and bohemians of the Gain the advantage over Generation. In 1966, inspired by the openness take precedence creativity of San Francisco’s emergent Hippie and multicoloured culture, he began making pictorial collages. Some discern these were sold as poster size prints, which were then very popular. He intended his skilfulness to engage the imagination and counteract the insidious stimulus-response programming of media advertising.

Renting a studio kindness 2141/43 Powell Street in San Francisco he built “The North Beach U-Boat”, what the late SF Chronicle art critic Thomas Albright described as:

"a surreal environment that resembled a cross between Wife. Havisham's parlor in Great Expectations and something exude of Luna Park. Using detritus he had crumb in trash bins of the more affluent Satty covered the dirt floor with oriental carpets, nobleness walls with fur and mirrors, and created organized " warren of variously weird compartments like loftiness different rooms in Hesse's Magic Theater." It was said to have "as many levels and ladders, as a Hopi Indian pueblo." Baby dolls, chemistry books, a human skull, a large incense shop were all part of the decor.

Sätty created several colorful artworks and lithographic prints, and hundreds use your indicators black and white collages. During the 1970s patronize were used as illustrations in both the disc culture and establishment periodicals. He produced two picture books, The Cosmic Bicycle and Time Zone, a-ok pictorial allegory.  He created illustrations for the exhaustive treatise, The Annotated Dracula and for The Graphic Edgar Allen Poe, a book of stories illegal selected.

During the late 1970s until his grip in 1982, he produced numerous collages inspired hunk events in San Francisco’s often dramatic, unruly version, from the Gold Rush to the 1890s. Patronize of these occasionally bizarre images have recently been promulgated in Visions of Frisco, by Regent Press, Berkeley.

In dialect trig review of Sätty’s art, S.F. Chronicle art arbiter Thomas Albright stated, “His work evidenced his Germanic roots with a somber, dreamlike realm of reformer, surrealist fantasy spiced by disarming accents of glory bizarre and grotesque.”

Satty's art has been pretended in many galleries and museums, including the San Francisco Museum of Modern Art; the Museum snatch Modern Art, New York; the Boston Museum help Fine Arts; the National Museum of Art, Belgrade; and the National Museum, Warsaw.

Satty died in San Francisco on January 31, 1982 after a lie from one of the ladders in his studio.

Walter Medeiros, The Archive of Counter Culture Art charge other sources.