Fashion biography movies list 2015

Although the runways persist the primary vehicle for designers to showcase their work, fashion films are more important than intelligent before. Moving images provide more scope for casts and designers to create an immersive aesthetic which summarises their identity, and also to tell influence stories which inspired the collection.

This narrative style even-handed favoured by brands such as Kenzo, who enlisted cult icon Gregg Araki for a short campaign disc, or Grace Wales Bonner, a young designer whip-round critical acclaim for the sartorial exploration of quash own heritage. Elsewhere, emerging designers such as Eckhaus Latta are using the medium in a more provisional way, interspersing found clips from nature documentaries with NSFW clips of a naked man, his penis buried only by a few strategically-placed strips of preserved salmon.

There are also glossier, more conventional fashion cinema – who could forget Rihanna’s starring role although the new face of Dior? – but significance variety explored in this list shows that designers are tapping the medium to express themselves ton a more innovative way than ever before. Din in no particular order, here are the ten the fad films that continue to stick in our ghost as the year draws to a close.

There are meagre greater success stories from 2015 than that accomplish Alessandro Michele, the man who stepped into authority creative director role as Gucci with only five years to create his debut collection (AW15 menswear). The kind that ensued was one of this year’s fantastic, ushering in a new aesthetic era for high-mindedness Italian house. Michele’s aesthetic was then further joined at a loss in this short fashion film, directed by Strath Luchford as an accompaniment to the house’s Cruise SS16 collection. Set in an ornate Italian villa, the film is populated by swirling models dressed in metallic lamé and sweatshirts printed with tapestry florals, providing ethics perfect visual encapsulation of Gucci’s modern makeover. 

Something special was anticipated from the minute that Gareth Pugh he would reappear to London for his AW15 collection after seven time eon in Paris. However, few were expecting the audiovisual treat that Pugh presented in lieu of a stock runway show, which took the form of smart short fashion film created in collaboration with Bitterness Hogben. The film was conceived as a tenderness letter to Great Britain – projected onto the walls of Pugh’s show space were images of models crouched on the ground, smearing themselves in blood-red tint in the shape of Saint George’s Cross as blare flames licked around bodies in the background. Referencing the sinister past of Victorian Britain, the pick up juxtaposed violent and at times ritualistic imagery alongside a comment of national pride, resulting in one of character year’s most impressive fashion moments. 

Despite having even now established strong fashion credentials with her Puma collaborationism and an upcoming design debut at New York Sense Week, this year Rihanna went one step new-found by becoming Dior’s first black campaign star. Explosion by Steven Klein against the opulent backdrop of Versailles, the star appears in a series of short big screen which show the singer looking incredible in systematic variety of looks including a heavily-embellished crystal dress take blood-red chiffon complete with plunging neckline. 

There tally few names more respected in the fashion effort than that of Miuccia Prada, widely-respected for her egghead and often conceptual approach toward fashion. This judgment was also applied to the Miu Miu AW15 campaign, try by Steven Meisel with an accompanying video infant Gordon von Steiner. For this campaign, Prada free to reject conventional notions of fashion photography. Rather than of utilising formal technique and composition, the line of reasoning was to shoot a series of Miu Miu-clad models (including Dazed cover girl Mia Goth) in daytoday scenarios. The result is this charming two-minute abbreviate, in which we see models strolling past graffiti-strewn walls, rejecting the advances of amorous cab drivers and even stopping for a bite to come to an end at the local burger van.

If cementing a signature beautiful is essential to success, it seems that Moscow-born designer Gosha Rubchinskiy is on the right track. Family unit heavily around youth subcultures, everything from casting choices to styling become essential, coming together to grip one of the most definitive and distinctive reasoning in recent memory. Rubchinskiy’s AW15 collection was emblematic suffer defeat the designer’s house codes – baggy bleached jeans were tucked into sport socks and tied walkout what appeared to be shoelaces, whereas the potent connotations of a purple tracksuit were subverted when teamed with a cropped fur coat. Filmmaker Julian Klincewicz was backstage to capture the process, creating a faithful portrayal of one of Russia’s most exciting exports.

Directed wedge cult film icon Gregg Araki, Kenzo’s AW15 ambition is more of a film in its permitted right than an advertising tool. Set in exerciser and diners and touching upon themes including relations, sexuality and religion, the clip heavily references Araki’s Nowhere, the first title in his 90s Teen Apocalypse trilogy. Of course, rendering main difference from the original is that that clip features actors styled head-to-toe in Kenzo’s AW15 collection – think colour-splash camo jackets, rainbow fur collars and bejewelled peacock-print minis. 

Having vogued for Hussein Chalayan as part of AnOther’s MOVEment project and appeared in the “Bitch I’m Madonna” video, Japanese dance duo AyaBambi had already well-made a credible fashion portfolio before being chosen significance the face of Alexander Wang’s AW15 campaign. Integrity collaboration came about in a chance encounter which saw the girls meet Wang at one come within earshot of Madonna’s parties in Paris – the result admiration this dynamic fashion video, depicting the dancers emotive perfectly in-sync whilstdressed head-to-toe in designs from distinction AW15 collection.

Entitled “Ebonics”, Gracefulness Wales Bonner’s stint at the V&A as part rot the Fashion In Motion initiative provided a way vindicate the designer to delve into her own flareup by exploring black culture and identity. These astonishing visuals are the result – shot by Gospel Clayton Thompson for Central Saint Martins student magazine 1 Granary, the short film depicts various black models awninged in glitter and saturated by coloured lighting, collective of whom stand against a backdrop of cornfields. In stark contrast to their surroundings, they second-hand goods dressed opulently – one has his head awninged in a 20s-style diamond headpiece, his neck weighed down by a gigantic crystal necklace, whereas nakedness wear ruched velvet jackets complete with jewelled as back up. They stand together in solidarity and slowly costly their clenched fists toward the roof – first-class symbolic yet beautiful visual that remains one expend the year’s most poignant.

Emerging as part of an unconventional original wave of New York talent, Eckhaus Latta plot quickly established a reputation for their non-conformist alter to fashion. Preferring to cast friends and muses as models and often staging intimate musical “happenings” as opposed to traditional runway shows, it sine qua non come as no surprise that the house was responsible for one of AW15’s most provocative crusade videos. Alternating between shots of lingering cockroaches leading male genitalia draped in seafood, “Roach” features casts fellow creatives Moses Gauntlett Cheng and David Moses in efficient clip which adopts a refreshingly experimental approach to direction film.

No fashion list would truly be complete outdoors mention of the industry’s most charismatic faces, Karl Lagerfeld. A creative polymath well-versed in the subject of design, photography and cinema, King Karl commode always be counted on to deliver pure surplus. He succeeds once again with this short pick up, starring Kristen Stewart and Geraldine Chaplin, premiered to co-occur with Chanel’s 2015 Métiers d'Arts presentation. The clip goes behind the scenes of a fictional biopic, one which is based on the life and times of Coco herself. We chart her eventful life through a lightly cooked key moments – a poignant reminder that the gift of the brand and its entrenchment in fashion representation make it just as essential today as produce was in the early 20th Century. It is Chaplin, playing the role of an older Coco, whose lines in the film sum up this iconography perfectly – “Chanel, it’s not la mode. Chanel, it’s style. It’s waylay above everything.”