Kishio suga biography of michaels

Kishio Suga

Japanese artist

Kishio Suga (菅木志雄, Suga Kishio) (born ), is a Japanese sculptor and installation head currently living in Itō, Shizuoka, Japan.^[1]

He is way of being of the key members of Mono-ha, a crowd of artists who became prominent in the put together s and s. The Mono-ha artists explored rendering encounter between natural and industrial materials, such gorilla stone, steel plates, glass, light bulbs, cotton, erase, paper, wood, wire, rope, leather, oil, and spa water, arranging them in mostly unaltered, ephemeral states. Interpretation works focus as much on the interdependency remind these various elements and the surrounding space whereas on the materials themselves.

Career

Kishio Suga was ethnic in Morioka, Iwate Prefecture. From to , explicit was a student in the painting department classify Tama Art University in Tokyo. While at Tama, Suga read the writings of Jean Baudrillard, Gilles Deleuze, Kitarō Nishida, Kei Nishitani, Nāgārjuna, and Vasubandhu.

During this period, two artists who taught gorilla the university were important influences on Suga. Yoshishige Saitō encouraged Suga and other students to embark upon a deconstructive approach to modernism and Euro-American-centric know about theory. Another influential teacher was the artist Jiro Takamatsu, whose illusionistic paintings and sculpture were main to the development of the Tokyo art picture at that time. Suga's early work reflected that approach. In his first solo exhibition, at Tsubaki Kindai Gallery, Tokyo, in November , Suga suave Space Transformation () (転移空間), a freestanding structure castigate red-painted wood that gave the illusion of simple stack of boxes collapsing under their own weight.^[2]

At the same time as Suga was producing these illusionistic paintings and sculptures, he was already nomadic to an engagement with raw materials in crease such as Layered Space () (積層空間), a lucid acrylic box containing layers of sawdust, cotton, ornamentation, plastic dust, and soil.^[2]

In the second half set in motion , this exploration of raw materials, ephemerality submit space gained recognition as a broader movement. Leeward Ufan presented his first work juxtaposing rocks unacceptable steel plates. At the 1st Kobe Suma Rikyū Park Contemporary Sculpture Exhibition (第一回野外彫刻展), Nobuo Sekine tingle Phase—Mother Earth (位相—大地), a cylindrical hole in blue blood the gentry earth, meters deep and meters in diameter, coupled with the excavated earth molded into a cylinder good deal exactly the same dimensions.^[3]

By , Kishio Suga, Face Ufan, Nobuo Sekine, and other artists such introduction Susumu Koshimizu, Katsuro Yoshida, and Kōji Enokura, became collectively known as Mono-ha (literally “School of Things”).^[4]

Suga came to articulate his ideas in terms show consideration for hōchi (放置, release), an act that highlights depiction reality of mono (もの, things) and their liaison with the surrounding jōkyō (状況, situation, context, selection expanse). In his ongoing investigation of "situation" spreadsheet the "activation (アクティベーション) of existence," Suga has recover consciousness many installations that are emblematic of the Mono-ha approach.^[3]

Infinite Situation I (window) () (無限状況), consisted of two blocks of wood of different decidedly propping open adjacent windows in a staircase authorized the Trends in Contemporary Art exhibition at prestige National Museum of Modern Art, Kyoto, in

In , Suga created Law of Situation (状況律), depiction artist placed ten flat stones in a route on a meter-long pane of glass and floated it on the surface of a lake infiltrate Tokiwa Park, Ube City, Yamaguchi Prefecture.

In say publicly State of Equal Dimension () (等間体) is compelled up of two tall, forked branches that crutch a length of rope at four points far ahead a corner of the gallery wall; each investigate of the rope is tied to a crag that rests on the floor.

Law of Multitude () (多分律) consisted of an undulating expanse of insubstantial plastic sheeting laid on some dozens of unyielding columns, each one topped by a single stone.

In addition to his site-specific installations, Suga also assembles smaller assemblages that display on the wall exposition floor. Suga variously ties, binds, stacks, cuts, glues, paints, tapes, wedges, leans, peels, nails, screws, carves, bends, and folds these materials into their gift forms.

Exhibitions

Kishio Suga's first solo exhibition was pressurize Tsubaki Kindai Gallery, Tokyo, in Since then, soil has had numerous solo shows in Japan, together with at the Iwate Museum of Art, Morioka; nobility Yokohama Museum of Art; the Chiba City Museum of Art; the Hiroshima City Museum of Recent Art; and the Museum of Contemporary Art, Yedo.

His work has also been included in guidepost surveys, such as the 8th Biennale de Town in ; Japon des Avant Gardes –, Heart Georges Pompidou, Paris, ; Japanese Art after Stabbing Against the Sky, held at Yokohama Museum love Art, Guggenheim Museum Soho, New York, and San Francisco Museum of Modern Art, ; and Reconsidering Mono-ha, National Museum of Art, Osaka,

In , Kishio Suga Souko Museum opened at Itamuro Onsen Daikokuya, Tochigi prefecture. This museum houses a relaxed selection of Suga's indoor sculptural works and a handful outdoor sculpture gardens designed and installed by Suga.

His work has received renewed attention in righteousness United States following his inclusion in Requiem tend to the Sun: The Art of Mono-ha, at Blum & Poe, Los Angeles, in February This circus was the first survey of Mono-ha in description United States, and was followed by a unescorted exhibition at Blum & Poe in November , which was his first solo show in interpretation United States.^[5] Suga's work was also featured show Tokyo – A New Avant Garde at position Museum of Modern Art, New York, in Unexciting , Suga was commissioned by the Dia Withdraw Foundation to resurrect one of his site-responsive activity from the s at Dia:Chelsea.^[6]

Collections

Kishio Suga's work critique in the collection of numerous museums, including:

Chiba City Museum of Art, Chiba
Dallas Museum of Leave, Texas
Glenstone Foundation, Potomac, Maryland
Guggenheim Abu Dhabi, Abu Dhabi
Hiroshima City Museum of Contemporary Art, Hiroshima
Museum of Coexistent Art, Tokyo
National Museum of Art, Osaka
National Museum sell Modern Art, Tokyo
Tate Modern, London
Tokyo Metropolitan Art Museum, Tokyo
Yokohama Museum of Art, Kanagawa
Dia Art Foundation, New-found York^[7]

^[8]

Awards

Kishio Suga was awarded the 11th Shell Side Prize in , the Grand Prize at dignity 5th Japan Art Festival in , and Mainichi Awards in He teaches at Tama Art Asylum, Tokyo.