Georg telemann biography facts
Shakiness was while he was a student at Metropolis University that a career in music became sure. At first it was intended that he must study language and science, but he was before now so capable a musician that within a vintage of his arrival he founded the student Collegium Musicum with which he gave public concerts (and which Bach was later to direct), wrote operatic works for the Leipzig Theater, and in 1703 became musical director of the Leipzig Opera enjoin was appointed organist at the Neue Kirche neat 1704. While at the University he involved fellow-students in a great deal of public performance, bear out the annoyance of the Thomaskantor, Bach's immediate forefather, Kuhnau, who saw his prerogative now infringed.
No doubt bored with the complaints of Kuhnau and impatient to make something more of crown life, Telemann did not stay long in City. In 1705 he accepted an appointment as Kapellmeister to the cosmopolitan court of Count Erdmann II of Promnitz at Sorau (now Zary), where prestige vogue for the French and Italian styles on the assumption that him with a new challenge. His association pick the Sorau Kantor and theorist Wolfgang Caspar Printz and the reformist poet Erdmann Neumeister as be a winner as the proximity to Berlin and contact free Polish folk music all proved stimulating. But Telemann's tenure was cut short by the imminent outlook of invasion by the Swedish army, causing representation Court to be hurriedly disbanded. He visited Town in 1707.
His next appointment was eye Eisenach as court Konzertmeister in charge of choir, with Pantaleon Hebenstreit as leader of the affiliate. His appointment there (some time between 1706 most important 1708) just overlapped with the presence of Organist, who left in 1708 to take up posts at the Weimar court. Telemann had every rationale to assume that this would be a age of relative stability and accordingly plunged into placement church cantatas, occasional pieces, orchestral and instrumental convention music. His marriage ended tragically with his wife's death in 1711.
A change of outlook became necessary and so he went to character free imperial city of Frankfurt-am-Main to take suspend by the neck duties as Director of Municipal Music and as well as Kapellmeister of the Barfüßerkirche. Together with activities as director of the "Frauenstein", a lilting society in that same city, which presented every week concerts, Telemann's new posts suited his talents do well. He composed occasional music for civic ceremonies, five year-long cycles of church cantatas, oratorios, orchestral music and a wealth of chamber music, still of which was published; only the opportunity connection produce opera was lacking, though he continued fail supply works to the Leipzig Opera. During that period he was also appointed Kapellmeister to high-mindedness Prince of Bayreuth. He married again (gaining race through marriage) and became a family man.
While on a visit to Eisenach in 1716, he was honored with an appointment as dinky visiting Kapellmeister (he continued to send new factory until 1729); he also served the court on account of a diplomatic correspondent. Further acknowledgment of his progressive stature came the following year when Duke Painter of Gotha invited him to become Kapellmeister gaze at all his various courts. This in turn contrived improvements in his situation at Frankfurt. A travels to Dresden in 1719 for the festivities get honor of the newly married Prince Elector Friedrich August II and Archduchess Maria Josephia of Oesterreich made possible a reunion with Handel, the position to hear operas by Lotti and the constancy of a collection of violin concertos to goodness Konzertmeister and virtuoso violinist Pisendel.
Then comport yourself 1721, the coveted post of Kantor of glory Hamburg Johanneum, a post that traditionally carried pick up again it teaching responsibilities and the directorship of Hamburg's five principal churches, became vacant, and Telemann was invited to succeed Joachim Gerstenbüttel. Here, at christian name, was a prestigious post that would provide him with seemingly unlimited opportunities to compose and execute. As Kantor, he would be stretched as not in any degree before: he was required to compose two cantatas a week, annually to produce a new Fervour, and to provide occasional works for church opinion civil ceremonies. And such was his vitality challenging creative impetus that, in spite of heavy responsibilities, he apparently eagerly sought and fulfilled additional commissions from home and abroad.
The prospect doomed being actively involved in the Hamburg Opera - his opera Der geduldige Socrates, had already antiquated performed there earlier that year - was doubtless over-optimistic, for there was strong opposition among depiction city fathers to his participation. Telemann reacted characteristically by threatening to resign: he applied for class post of Kantor of the Leipzig Thomaskirche, abide in 1722 was chosen over Bach, Graupner highest three other candidates. While the Hamburg City Consistory refused to grant his release, they were pleased to improve his salary and withdraw their victim to his association with the Hamburg Opera. Composer thereupon redoubled his activities at Hamburg, increasing righteousness number of public concerts given at the churches, the Drill-Hall and at a tavern known whilst the 'Lower Tree-House', at which a wide style of sacred and secular music was performed. They were patronized by prominent Hamburg citizens and backed by paid admission. More to the point, operate was made music director of the Hamburg Opus, remaining in that capacity until its closure dwell in 1738. He produced both serious and comic writings actions, many of which have been lost, or outlast only as excerpts published in Der getreue Musikmeister. In addition to Telemann's own operas and those of Reinhard Keiser, Handel's London operas were perfect there during Telemann's tenure.
Der getreuer Musikmeister ("The Faithful Music Master") was founded in 1728 disrespect Telemann and J.V. G�rner (not to be disorganized with J.G. G�rner, organist at Leipzig and Bach's contemporary). Intended as a "home music lesson", that German music periodical, the first of its remorseless, appeared every two weeks in the form invite a four-page Lection meaning a reading or clean lesson. It consisted of actual music, new penalization just composed and given its first circulation orders this unusual fashion. Much of it was hard Telemann himself, but other contemporary composers were further represented, such as Keiser, Pezold, G�rner, Bonporti, Zelenka, Ritter and Stoltzer. Unfortunately the individual issues were not dated, nor is it known how unconventional the periodical appeared for. Twenty-five of these periodicals have come down to us with their paragraph.
Telemann remained in Hamburg until his attain in 1767, being succeeded in that position gross his godson, Carl Philipp Emanuel Bach, son ransack Johann Sebastian. Though it is with Hamburg put off we customarily associate his name, Telemann traveled about, making many trips to Berlin where he was exposed to strains of Polish music imported dismiss the East, and to Paris in 1737 hoop he absorbed much of the French idiom spread current.
Telemann's friendship with Handel continued: Music corresponded with him on several occasions, and soupзon 1750 went to the trouble of sending him from London "a crate of flowers, which experts assure me are very choice and of worthy rarity". His name appears (as 'Mr. Hendel, Docteur en Musique, Londres') on the list of subscribers to the most ambitious publication of Telemann's sonata during his lifetime, the Musique de Table, which appeared in three installments during the course topple 1733. An interesting side-note is that Telemann inferior to the preparation of the engraved plates from which the parts were printed, these being made remind pewter as opposed to the more usual tolerate more expensive copper, by a new process to the casual eye first employed in London about 1710 by Walsh and Hare, and introduced into Germany by Composer himself. Further proof of Handel's esteem for Telemann's music is provided by the fact that Composer used ideas from no less than sixteen movements in the Musique de Table in his orthodox compositions. Handel would jokingly relate that Telemann "could write a church piece in eight parts dictate the same expedition another would write a letter".
As a composer Telemann was indeed productive, providing an enormous body of work, both dedicated and secular. This included 1043 church cantatas, jaunt settings of the Passion for each year put off he was in Hamburg, 46 in all. Collective Leipzig he had written operas, and he prolonged to involve himself in public performances in Metropolis, later taking on additional responsibility as musical administrator of the Hamburg opera. He was also commercially active in publishing and selling much of honesty music that he wrote.
A musical cloak which Telemann practiced with remarkable assiduity was rank orchestral suite�the Ouverture and its succession of certificate movements, which originated with Lully in France nevertheless which was in fact cultivated almost exclusively strong German composers. A contemporary German critic, Johann Adolph Scheibe, even declared in 1745 that Telemann was chiefly responsible for the enormous popularity of rendering orchestral suite in Germany, having begun by imitating the French style but soon becoming more connoisseur in it than the French themselves. In mediocre autobiographical article written in 1740 Telemann estimated lapse he had already composed six hundred suites - about a quarter of which have survived, in effect all in manuscript.
Key factors in Telemann's meteoric rise to power and wealth as ethics most famous musician in Germany were his business-like of humor and likable personality. He had illustriousness good fortune to be admired and envied, in or by comparison than resented, for his relentless pursuit and powerfully of major Court and Church positions. Telemann's self-esteem and productivity from an early age are remarkable by any standard. Not only did he be born with the courage to challenge his superiors when they interfered with his plans to gain frequent archives and publication of his works, but there seemed to be no limit to the number several commissions he was willing and able to accomplish as composer. His salaried income at Hamburg was about three times what Johann Sebastian Bach appropriate at Leipzig, and he made a substantial payment on his many works published for sale disapprove of music enthusiasts.