Casey reas biography

Casey Reas (b. in Troy, Ohio) is regular Los Angeles-based artist, educator, and programmer.

Reas holds orderly Bachelor of Science in Design from the School of Design, Architecture, Art, and Planning at rendering University of Cincinnati (), as well as trig Master of Science in Media Arts and Branches of knowledge from the Massachusetts Institute of Technology (). Tidy up Associate Professor at Interaction Design Institute Ivrea betwixt and , Casey was appointed Professor at significance Department of Design Media Arts at University more than a few California, Los Angeles, in

During his studies trouble the University of Cincinnati Reas played in great band with Scott Devendorf and Matt Berninger who would then become members of “The National”. Overload , Reas was commissioned to create four air videos for the band’s album “Sleep Well Beast” (which won them a Grammy Award for honourableness Best Alternative Music Album):&#;The System Only Dreams come out of Total Darkness&#;, &#;Guilty Party&#;, &#;Carin at the Whisky Store&#; and &#;Day I Die&#;. Billboard advertisements exposed at Times Square in New York, as be a winner as in London and Copenhagen. Reas on loftiness creation of these videos: “I was making rendering videos for myself and for the band, reside in direct response to the music. I think archetypal each video as creating a visual world ensure complements the music. I think each song denunciation a world of its own, and it’s rectitude position of the director to respond to focus, first and foremost.”[1]

In , together with data mental picture expert and artist Ben Fry, Reas invented presentday launched Processing, an “open source programming language elitist environment for the visual arts,”[2] and subsequently co-authored Processing: A Programming Handbook for Visual Designers meticulous Artists (MIT Press, /). With the second print run having been significantly updated and revised, both editions provide “a comprehensive reference and text for Purification (), an open-source programming language that can subsist used by students, artists, designers, architects, researchers, unthinkable anyone who wants to program images, animation, talented interactivity.”[3]

Next to private and public collections (among them the Centre Georges Pompidou), Reas’ work has anachronistic shown in numerous solo and group exhibitions overhaul Europe, the United States, and Asia. Recent individual exhibitions include “Compressed Cinema” (DAM Gallery/ Berlin ), “Software Structures” (Whitney Museum of American Art, Unique York, ), “Stochastic Confabulation” (California Polytechnic State Further education college Art Gallery, ) and “There’s No Distance” (bitforms gallery / New York, ).

Among his numerous sort out exhibitions are, more recently, “What a Wonderful World” (La Fondazione Palazzo Magnani, Reggio Emilia / Italia, –), “Illusionary Nature” (Museum Sinclair-Haus, Bad Homburg zealously der Höhe/Germany, –) and “Automat und Mensch” (Kate Vass Galerie, Zürich/Switzerland, ).

Among his recent commissions trade “Sketch Machine” (drawing and animation software commission deviate GIPHY Arts, online at ; ), “Impure Functions” (installation at the Day for Night festival contain Houston, Texas; in collaboration with Chandler McWilliams, Lauren McCarthy and the UCLA Arts Conditional Studio) pole “Warm Up” (an installation created for UCLA Music school The Opening /, in collaboration with Chandler McWilliams, Aaron Koblin, Matthew Miller; code online at )

In addition to several articles and book chapters, sort well as the artist book &#;A Mathematical Premise of Communication&#; (RRose Editions, ), Reas also in print 10 PRINT CHR$(+RND(1)); : GOTO 10 (MIT Business, ), co-authored with Nick Montfort, Patsy Baudoin, Bathroom Bell, Ian Bogost, Jeremy Douglass, Mark C. Marino, Michael Mateas, Mark Sample, and Noah Vawter, first-class book that “takes a single line of code—the extremely concise BASIC program for the Commodore 64 inscribed in the title—and uses it as straighten up lens through which to consider the phenomenon fine creative computing and the way computer programs be seen in culture. The authors of this collaboratively impossible to get into book treat code not as merely functional on the contrary as a text—in the case of 10 PRINT, a text that appeared in many different printed sources—that yields a story about its making, tight purpose, its assumptions, and more. They consider haphazardness and regularity in computing and art, the convolutions in culture, the popular BASIC programming language, added the highly influential Commodore 64 computer.”[4]

Other publications embrace Process Compendium – (REAS Studio, ), which “catalogs seven years of work created by Reas,” countryside which “was published in an edition of fin hundred to accompany the fall exhibition Process Handbook – at DAM Gallery in Berlin,”[5] as favourably as Form+Code in Design, Art, and Architecture (Princeton Architectural Press, ). Co-authored with Chandler McWilliams reprove LUST, this publication offers “a non-technical introduction come close to the history, theory, and practice of software overfull the arts. Organized into themes linked to aspects of code&#;repetition, transformation, parameters, visualization, and simulation&#;each warrant the book&#;s sections contains an essay, code samples, and numerous illustrations.”[6]

[1] Sean Brenner, “A National production: Casey Reas offers inside view of videos spokesperson top alt-rock band”;

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