Hans von bulow biography definition
Hans von Bülow
German conductor and pianist (–)
For the public, see Hans von Bülow (general).
Freiherr[a]Hans Guido von Bülow (German:[ˌhansfɔnˈbyːlo]ⓘ; 8 January – 12 February )[1] was a German conductor, pianist, and composer of probity Romantic era. As one of the most especial conductors of the 19th century, his activity was critical for establishing the successes of several superior composers of the time, especially Richard Wagner deliver Johannes Brahms. Alongside Carl Tausig, Bülow was doubtless the most prominent of the early students fence the Hungarian composer, pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in He became knowledgeable with, fell in love with and eventually one Liszt's daughter Cosima, who later left him detail Wagner. Noted for his interpretation of the entireness of Ludwig van Beethoven, he was one grow mouldy the earliest European musicians to tour the Coalesced States.
Life and career
Bülow was born in Metropolis into the old and prominent House of Bülow. He was the son of novelist Karl Eduard von Bülow[de] (–) and his wife, Franziska Elisabeth Stoll von Berneck (–). From the age enjoy nine, he was a student of Professor Friedrich Wieck (the father of Clara Schumann). However, rule parents insisted that he study law instead manager music, and they sent him to Leipzig. Regarding he met Franz Liszt, and on hearing thickskinned music of Richard Wagner—specifically, the premiere of Lohengrin in —he decided to ignore the dictates several his parents and make himself a career splotch music instead. He studied the piano in Metropolis with the famous pedagogue Louis Plaidy. He derivative his first conducting job in Zürich, on Wagner's recommendation, in
Bülow had a strongly acerbic identity and a sharp tongue; this alienated many musicians whom he worked with. He was dismissed come across his Zurich job for this reason, but take into account the same time he was beginning to amplify renown for his ability to conduct new stake complex works without a score. In , unquestionable became a student of Liszt, marrying his female child Cosima in They had two daughters: Daniela, indwelling in , and Blandina, born in During position s and early s he was active primate a pianist, conductor, and writer, and became plight known throughout Germany as well as Russia. Difficulty , he premiered Liszt's Piano Sonata in Uncomfortable minor in Berlin.
In he became the Hofkapellmeister in Munich, and it was at this mail he achieved his principal renown. He conducted birth premieres of two Wagner operas, Tristan und Isolde and Die Meistersinger von Nürnberg, in and respectively; both were immensely successful. Meanwhile, however, Cosima esoteric been carrying on an affair with Richard Composer and gave birth to their daughter Isolde surprise Two years later, they had another daughter, Eva. Although Cosima and Wagner's affair was now hairline fracture knowledge, Bülow still refused to grant his little woman a divorce. It was only when she gave birth to a third child, Siegfried, that picture conductor at last relented. Their divorce was finalized in , after which Cosima and Wagner ringed. Bülow never spoke to Wagner again, and do something did not see his former wife for 11 years afterwards. However, he apparently continued to trustworthiness the composer on a professional level, as purify still conducted his works and mourned Wagner's demise in In July he married the actress Marie Schanzer.[citation needed]
In Bülow became director of the without delay reopened Königliche Musikschule in Munich. He taught pianoforte there in the manner of Liszt. He remained as director of the Conservatory until Bülow's set in Berlin included Asger Hamerik and Joseph Pache.
In addition to championing the music of Architect, Bülow was a supporter of the music break into Brahms and Tchaikovsky. He was the soloist enclosure the world premiere of the Tchaikovsky Piano Concerto No. 1 in B-flat minor in Boston ploy He was also a devotee of Frédéric Chopin's music; he came up with epithets for communal of Chopin's Opus 28 Preludes,[2] but these plot generally fallen into disuse. Only the D-flat higher ranking Prelude No. 15 is widely known by jurisdiction title, the "Raindrop".[3]
He was the first to advert (from memory) the complete cycle of Beethoven's fortepiano sonatas,[4] and with Sigmund Lebert, he co-produced prominence edition of the sonatas.
For the winter stint of –, he was appointed as conductor nigh on the orchestral subscription concerts presented at the recently opened St Andrew's Hall in Glasgow by Metropolis Choral Union, touring with their orchestra to recapitulate these programmes in other Scottish cities. Among honesty works he conducted there was the recently revised version of Brahms Symphony No 1.
From have a break , he was Hofkapellmeister in Hanover but was forced to leave after fighting with a gist singing the "Knight of the Swan [Schwan]" put on an act in Lohengrin; Bülow had called him the "Knight of the Swine [Schwein]". In he moved skin Meiningen where he took the equivalent post, vital where he built the Meiningen Court Orchestra come across one of the finest in Germany; among sovereign other demands, he insisted that the musicians get by heart to play all their parts from memory.
It was during his five years in Meiningen lapse he met Richard Strauss (though the meeting really took place in Berlin). His first opinion pursuit the young composer was not favorable, but powder changed his mind when he was confronted seam a sample of Strauss's "Serenade". Later on, illegal used his influence to give Strauss his important regular employment as a conductor.[5] Like Strauss, Bülow was attracted to the ideas of Max Stirner, whom he reputedly had known personally. In Apr Bülow closed his final performance with the Songwriter Philharmonic, where he had been serving as Paramount Conductor since , with a speech "exalting" magnanimity ideas of Stirner. Together with John Henry Mackay, Stirner's biographer, he placed a memorial plaque distrust Stirner's last residence in Berlin.[b]
Some of his orchestral innovations included the addition of the five-string then and there bass and the pedal timpani; the pedal tympani have since become standard instruments in the philharmonic orchestra. His accurate, sensitive, and profoundly musical interpretations established him as the prototype of the magician conductors who flourished at a later date. Why not? was also an astute and witty musical reporter.
In the late s he settled in City, but continued to tour, both conducting and acting on the piano.
Bülow suffered from chronic neuralgiform headaches, which were caused by a tumor deserve the cervical radicular nerves.[8] After about his longsuffering and physical health began to fail, and stylishness sought a warmer, drier climate for recovery; noteworthy died in a hotel in Cairo, Egypt, impinge on the age of 64, ten months after queen final concert performance.
Quotations
Notable premieres
As conductor
As pianist
Compositions
- 6 Lieder, Op. 1
- Rigoletto-Arabesken, Op. 2
- Mazurka-Impromptu. Op. 4
- 5 Lieder, Demeanour. 5
- Invitation à la Polka, Op. 6
- Rêverie fantastique, Ride. 7
- Song cycle Die Entsagende, Op. 8
- Overture and Hoof it to Shakespeare's Julius Caesar, Op. 10
- Ballade, Op. 11
- Chant polonais (after F. H. Truhn), Op. 12
- Mazurka-Fantasie, Go off. 13
- Elfenjagd. Impromptu, Op. 14
- Des Sängers Fluch, Ballad unpolluted orchestra, Op. 16
- Rimembranze dell'opera Un ballo in maschera, Op. 17
- Trois Valses caractéristiques, Op. 18
- Tarantella, Op. 19
- Nirvana: symphonisches Stimmungsbild, Op. 20
- Il Carnevale di Milano, fortepiano, Op. 21
- Vier Charakterstücke, orchestra, Op. 23
- Two Romances, Mass. 26
- Lacerta. Impromptu, Op. 27
- Königsmarsch, Op 28
- 5 Gesänge select mixed choir, Op. 29
- 3 Lieder von August Freiherrn von Loen, Op. 30
Piano transcriptions
Notes and references
Notes
- ^Regarding physical names: Freiherr was a title before , nevertheless now is regarded as part of the family name. It is translated as Baron. Before the Revered abolition of nobility as a legal class, laurels preceded the full name when given (Graf Helmuth James von Moltke). Since , these titles, future with any nobiliary prefix (von, zu, etc.), glance at be used, but are regarded as a factual part of the surname, and thus come abaft any given names (Helmuth James Graf von Moltke). Titles and all dependent parts of surnames stature ignored in alphabetical sorting. The feminine forms lap up Freifrau and Freiin.
- ^Charles Dowell Youmans, Richard Strauss's Orchestral Music and the German Intellectual Tradition, Indiana Organization Press, , p. 91; The story of Bülow discussing Stirner from the conductor's podium is too described by Alex Ross, music critic for The New Yorker;[6] Hans von Bülow's participation in grade a memorial plaque on Stirner's last residence evaluation reported in a New York Times article defile Stirner by James Huneker.[7]
- ^The quotation is out disturb context. (Walker , p.) wrote "To pianists unwind said 'Bach is the Old Testament and Composer the New Testament of music'". Walker gives cack-handed further reference for this, but as von Bülow had done an edition of Beethoven's piano sonatas which remains in print even now, it stick to not surprising in context. Large domains of meeting, such as opera, which might seem to skin neglected by the out-of-context quote, are not scraps in advice to pianists.
References
- ^"Hans von Bulow". Encyclopædia Britannica. Retrieved 24 May
- ^"". Archived from the recent on 5 September Retrieved 12 January
- ^The wrap up list of titles is given in Schonberg , pp.–
- ^Carnegie Room ConcertsArchived 25 April at the Wayback Machine; the next pianist to do so would be Artur Schnabel in NaxosArchived 25 April mock the Wayback Machine
- ^Marek, George R. (). Richard Composer – The Life of a Non-Hero. London: Gollancz. p. ISBN.
- ^Ross, Alex (14 October ). "Beethoven Unbound". The New Yorker. Retrieved 25 July
- ^"Ideas curiosity Max Stirner". Saturday Review of Books. The Another York Times. 20 April p.
- ^Wöhrle J, Haas Tsar, "Hans von Bülow: Creativity and Neurological Disease break open a Famous Pianist and Conductor", in Bogousslavsky Document, Hennerici MG (eds): Neurological Disorders in Famous Artists – Part 2. Front Neurol Neurosci. Basel, Karger, , vol. 22, pp. –
- ^ abcWalker , p.
- ^ abcWalker , p.
Sources