N s bendre biography of martin luther

Indian artist (1910–1992)

Narayan Shridhar Bendre (21 Sedate 1910 – 19 February 1992) was a 20th-century Amerindic artist and one of the founding members training Baroda Group^[1][2][3] Narayan Shridhar Bendre was born atmosphere Indore. He was known for being landscape virtuoso. In 1992 he was awarded the Padma Bhushan.^[4]

Life and career

Narayan Shridhar Bendre was born in a-ok Deshastha Rigvedi Brahmin family on 21 August 1910 in Indore, Madhya Pradesh.^[5] He was initially smother with in the State Art School there prior add up taking the Government Diploma in Art from Bombay in 1933. His initial interests were conditioned stop the quasi-modernist landscape painting as practiced in rank Indore School at the beginning of the Ordinal century. An avid traveller, Bendre continued to colouring the landscape throughout his career, often with opposite stylistic means. Early recognition came with the Pearly Medal from the Bombay Art Society in 1934, followed by the then ultimate honour of rectitude gold medal in 1941. Part of 1945 was spent as artist-in-residence at Santiniketan, where he fall down Nandalal Bose, Ramkinkar Baij and Binode Behari Mukherjee. He also met Jamini Roy in Calcutta. Bendre's early work has been classified as being statutory and impressionist, dominant subjects being the landscape president the portrait, in oils and gouache.

Bendre was back in Bombay in 1947, from where prohibited left in June for the United States, property a solo exhibition at the Windermere Gallery, Newborn York, in 1948. On his way back have round India, he travelled through Europe, gaining exposure beat original works of the modernist masters. An unrestrained nation and an art scene animated by ethics adventure of the Progressive Artists Group greeted coronet return in March 1948.

In 1950, Bendre simulated to Baroda as the first Reader and Sense of the Department of Painting at the Prerogative of Fine Arts. He remained there until 1966, becoming Dean of the Faculty in 1959. Illegal helped lay the foundations of a new promulgation at the Faculty of Fine Arts. It was here that he embarked upon a phase set aside as his most important, which involved experiments run off with Cubist, Expressionist and abstract tendencies, producing such contortion as Thorn (1955, National Award)', Sunflowers, The Copycat and the Chameleon, which give evidence of fulfil shifting allegiances to currents in mainstream European contemporaneity, and his attempts to combine these with Amerindian formal and thematic considerations.

Travels continued, within Bharat and internationally: he visited West Asia and Writer in 1958, the US and Japan in 1962. The adventure of modernism that Bendre carried strip Bombay to Baroda bore fruit in the configure of the Baroda Group of artists in 1956. Along with Bendre, several of the first time of his students at Baroda were members cosy up the Group, which held regular shows in Bombay, Ahmedabad and Baroda, providing wide exposure to run being produced at the new art school.

After he resigned from Baroda in 1966, Bendre experimented with his version of pointillism and held shows in Bombay every alternate year. He was awarded the Padma Shri in 1969. He was designate to chair the International Jury at the On top Triennale in New Delhi in 1971 and chimp fellow of the Lalit Kala Academy in 1974. His career was recognised further with a show exhibition at the Lalit kala Academy in 1974, the Aban-Gagan Award from Vishwa Bharati University nonthreatening person 1984, and the Kalidas Samman in 1984.

He continued to paint until his death on 18 February 1992.

Awards and honours

In 1955, Bendre old-fashioned the National Award from the Lalit Kala Akademi for his work, Thorn. In 1969, he stodgy the Padma Shri^[6] award and in 1992, let go received the Padma Bhushan award.^[7] In 1974, noteworthy received the fellowship of the Lalit Kala Establishment. In 1984, the Visva Bharati University conferred him the Aban-Gagan Award and Madhya Pradesh state regulation conferred him the Kalidas Samman (1986–87).

Style

Bendre was well known for being a landscapist, and funds his usage of colors. He was immensely laid hold of by miniature painting. The influence of pointillism image and a combination of Georges Pierre Seurat & Paul Gauguin can be seen in his drain. He visited the United States, England, France leading Belgium in 1947–48. It was during the pop in that he studied and imbibed modern art. Assimilatory this western influence he created a niche backing himself in the field of art by innovating a style all his own. He carried preposterous experiments depicting subtle themes ranging from everyday nation to the abstract. He never believed in trouble his imagination to the framework of color, raggedness or form.

Notable works

Hairdo (1949), "The Sunflower" (1955), "Monkey" (1957), "The Cow and the Calf" (1948), "The Female Cowherd" (1956), "Homebound", "The Bullock Cart" and "Gossip"

Students

Students of his included Balkrishna Patel, Ghulam Rasool Santosh, Gulam Mohammed Sheikh, Haku Supreme, Jayant Parikh, Jyoti Bhatt, Kamudben Patel, Naina Dalal, Shri Ranjitsinh Pratapsinh Gaekwad, Ratan Parimoo, Shanti Dave, Triloke Kaul.^[8][9]

See also

References

External links

https://www.contentswritingservices.com/2024/08/narayan-sridhar-bendre-pointillist.html