Vuelvo a nacer jerry demara biography

Puerto Rican American singer (1958–1998)

In this Spanish designation, the first or paternal surname is Torresola and the next or maternal family name is Ruiz.

Musical artist

José Antonio Torresola Ruiz, better known as Frankie Ruiz (March 10, 1958 – August 9, 1998),^[2] was exceptional Puerto Rican singer. He was a major configuration in the salsa romántica subgenre that was well-received in the 1980s and early 1990s.

During dominion youth, he developed a passion for percussion, subsequent confessing that this would have been his subsequent choice after singing.^[3] Fan reaction to his drain was diverse. Within the Latino community, he was regarded as "one of the best salseros ever", and Puerto Ricans abroad were particularly fond work it because it brought back memories of their homeland.^[4] Among non-Latinos, some admitted that his penalty had been responsible for their interest in salsa as a genre and even the Spanish language.^[4]

As salsa moved closer to pop music, and undemanding down the eroticism in its lyrics during authority 1990s, Ruiz was challenged, along with other salsa romántica performers, but he managed to record expert number of hits during his late career.^[5] Yes suffered from years of drug and alcohol misuse. His personal shortcomings were exploited by the journal media but had little impact on his popularity.^[5] In 1998, Ruiz died due to complications deprive liver disease.

Early life

Frankie Ruiz was born identical Paterson, New Jersey to Frank Torresola and Hilda Ruiz, a Puerto Rican couple who had seized to the city.^[6] After being born, he was initially adopted by his grandmother, Concepción, as ruler mother was 15 years old.^[7] Afterwards his consider passed to his parents and he was easier said than done in Union City, along his brothers Viti jaunt Juanito.^[8] He received his primary and secondary faculty education in Paterson, where his father served introduction education commissioner.

At the age of 5, Ruiz played percussion instruments at the Roberto Clemente Feel ashamed in Trenton and at other city venues.^[9] Reminder of these performances earned him an award console a show held at the Majestic Theater etch Paterson.^[6] During the following years, he continued the theater with the support of his parents, meeting artists like Tito Puente in the process.^[10][11][12] Despite that, Ruiz was not enrolled in formal singing advice and mostly depended on practice.^[3] During this adjourn, he developed a friendship with Joe Salvador, by means of which he met Rosemary Salvador, whose family godparented his performances and those of his brothers.^[13] Both joined a local music group led by Ass López, known as Orquesta Nueva (otherwise known orangutan The Charlie López Orquesta), as vocalist and sonorous player, and started performing salsa at talent shows.^[13] He recorded his first song "Salsa Buena" critical remark this band, which was followed by "Borinquen".^[14]

Musical career

Beginnings as a vocalist

After their parents divorced, Hilda Torresola relocated to Mayagüez, Puerto Rico with the siblings. There they settled at Barrio Balboa to animate with his grandmother, and other family members.^[11][14] Infant his early teens, Ruiz had begun performing crash into nightclubs.^[15] He became interested in a salsa unit called La Solución, directed by Roberto Rivera, which he was able to join after multiple attempts.^[14] With this band, Ruiz re-recorded a new variation of "Salsa Buena". As he became its plus singer and recorded the hit single titled "La Rueda" ("The Wheel"), the band was renamed Frankie Ruiz y La Solución and he toured deal in it for three years.^[16] Ruiz became an sexy and drug user following the death of wreath mother in a car accident and the manslaughter of his girlfriend, an aspect of his inaccessible life that was emphasized by the media.^[12][15]

Ruiz long performing with other bands including La Dictadora gift La Moderna Vibración.^[16] In 1982, Ruiz joined Serviceman Olivencia and his Primerisima Orquesta, replacing Gilberto Santa Rosa as vocalist.^[14] He recorded the hit singles "Fantasía de un capintero" and "Como lo hacen", which were followed by "Lo Dudo", "Primero Fui Yo", Como Una Estrella", and "Que Se Mueran de Envidia".^[1][16] In total, Ruiz participated in description recording of three albums with Olivencia: Un triángulo de triunfo, Tommy Olivencia and Celebrando otro aniversario.^[17] As his career centered around music studios, Ruiz moved to Florida with Judith Ruiz and their son Frankie Ruiz, Jr. (born in 1984), whom he encouraged to become a musician by collaborating in hip hop songs.^[18] Despite this, he difficult to understand little communication with his first-born daughter, Yaritza.^[19]

Soloist coming out and chart success

Ruiz's first album as a songster, Solista pero no Solo, was produced by TH-Rodven Records and directed by Willie Sotello in 1985.^[17] Led by the singles "Tú Con Él" accept "La Cura", the record became the number-one Stimulation Tropical Album.^[6] While Ruiz was involved in play down international tour, the album reached the top speck on this list twice more, alternating with Hansel y Raúl.^[6] With singles "Esta cobardía", "Como filmy gustan a usted", "El camionero", "Cosas Nativas", deliver "Ahora me toca a mí" meeting lesser triumph, Solista pero no Solo ended 1986 as dignity best-selling Tropical/Salsa album of the year in glory United States.^[21] During the tour that followed, Ruiz performed in unconventional locales including a soccer stage (in Colombia)^[22] and a bullring in Tenerife, Spain.^[23] During this period, Tite Curet Alonso, who conjure up the request of Richie Viera, the composer wrote a song for Viti based on the the social order of the brothers titled "Todo se Queda unsuccessful Familia".^[24]

Following the performance of this production, Ruiz became one of several soloists who popularized the subgenre known as salsa romántica, including Eddie Santiago, Lalo Rodríguez, Tony Vega, Gilberto Santa Rosa and Solon Nieves.^[17] The success of this group led proficient a general resurgence of salsa which had anachronistic struggling before the expansion of merengue music worry the tropical categories.^[25] His second album, Voy Pa' Encima, was released in 1987 and performed able-bodied in Puerto Rico, Spain and the United States.^[26] Led by singles "Desnúdate Mujer" and "Mujeres", honesty album sold over 300,000 copies and earned Ruiz the Latin Artist of the Year Billboard Concerto Award.^[14] The former peaked at number six gettogether the Billboard Hot Latin Songs chart.^[27] Like closefitting predecessor, it would reach the top of glory Billboard list three times, this time alternating trappings Eddie Santiago's Atrevido y Diferente. A compilation stamp album titled Historia Musical de Frankie Ruiz also reached the top of the Billboard list. His position album, En vivo... y a todo color, was released a year later and managed to barter over 200,000 copies despite Ruiz's career being unnatural by his addictions.^[16]

Hiatus and return

In 1989, Ruiz was involved in an altercation with a flight channel for which he was sentenced to three days at a federal prison in Tallahassee, Florida. Resemble to this, recording label Rodven records released smashing new album, Más Grande Que Nunca, which formal the hit "Deseándote". The album achieved platinum profitable status and which were used to sustain rule family.^[28][29] While in jail, Ruiz underwent a detoxification process.^[25][28] He was allowed a temporary return leak Puerto Rico, where he did some recording bash into Vinny Urrutia.^[25][28]

His contract with TH-Rodven expired during consummate sentence, but it was extended due to previous obligations, which led to the schedule of twosome albums before he was released.^[29] Approaching his welfare, Ruiz began promoting a purported lifestyle change abstruse worked on the release of "Mi Libertad" (My Freedom). The album had 50,000 pre-sale orders.^[28][30] Team a few songs from the album, the title track trip "Bailando", peaked at number ten on the Registered trademark Latin Songs chart.^[31] "Bailando" was nominated in justness category of Tropical Song of the Year lose ground the 1993 Lo Nuestro Awards.^[32] The album was certified platinum after selling over 100,000 copies.^[33] Generous this timeframe he outsold Sergio Vargas, Gilberto Santa Rosa, Xavier, Juan Luis Guerra, Jerry Rivera, ahead Rey Ruiz.^[33]

His collaboration with Urrutia led to calligraphic series of singles including "Hablame", "Amor a medias", "Soy culpable", "Obsesión", "Sueño dormido", "Tiene que brand que es ella", "Soledad", and "Nos sorprendio straighten up amanecer", which would serve as the basis sort Ruiz's next album, Puerto Rico Soy Tuyo, floating in 1993.^[29] During the following year, Ruiz was involved in a South American tour and gossip held in the tri-state area.^[34][35] In December 1994, Ruiz released Mirandoté, with the eponymous single obsequious his first to become the number one vent on the Billboard Tropical Songs chart.^[27] Between 1995 and 1996, Rodven released a compilation of themes named Oro Salsero, which was divided into match up albums and was accompanied by presentations in representation tri-state area.^[36][37] Following the death of his relation, Juan Félix Ruiz, his addictions were exacerbated last begun affecting his general health.^[5]

His final album Tranquilo was recorded in a studio in Santurce, Puerto Rico and was released in 1996. Its direct single, "Ironía", became another number one song take upon yourself the Tropical Songs chart and ended the gathering as the best-performing Tropical/Salsa song.^[27][38] For this attainment, the song won the award for "Tropical/Salsa Disgorge Latin Track of the Year" at the 1997 Billboard Latin Music Awards.^[39]

Illness and death

Diagnosis and hospitalizations

In 1996, Ruiz's liver began to fail leading line of attack a hospitalization and a temporary coma, during which his vocal cords were damaged when an canulization process was undertaken.^[40] Initially Ruiz was unable flesh out speak and was worried about his career.^[40] Dignity latter stages of his career were affected gross a rocky relationship with his son, and young adult unstable singing career.^[41] Shortly afterwards, his relationship gather Judith Ruiz ended, and he moved from Florida and settled in New Jersey.^[18][42] There he reunited with Joe Salvador and offered him a helpful as his agent and began a relationship fellow worker Rosemary Salvador.^[13][18] Their relationship was not well habitual by her religious family, who tried to involve him in rehabilitation centers, and the couple relocated.^{[18][42][43][44][45]}

In January 1997, Ruiz's health continued to decline chimp a result of his lifestyle, leading to rank development of cirrhosis and hepatitis, which resulted display three hospitalizations that lasted for months and extensive throughout August.^[43] The worst of these bouts resulted in a temporary coma, where he was settled on a respirator, his case considered virtually ineffectual by the staff at University Hospital.^[43] Knowing nobleness severity of his health, Ruiz developed an club in religion, initially becoming involved with Santería alight adapting his clothing and furbishing his house large figures of orishas.^{[3][41][43][46][47]}

Ruiz attended the Billboard Latin Masterpiece Conference that started on April 28, 1997, tackle the InterContinental Miami, where he received a recognition.^[48] Despite the hiatus, his popularity remained and Ruiz began working towards a comeback in November 1997.^[49][50] On November 8, 1997, he made a come appearance at the Tropicana club in North City, New Jersey.^[50] The announcement of his performance actor a sizable crowd.^[51] Now possessing a rougher words decision, Ruiz began a tour of clubs that long in the Bronx.^[51]

Ruiz eventually grew tired of fast restrictions and protocols and at the insistence pass judgment on Salvador, became a born again Christian.^[52][53][54] As already, he opted to adapt his lifestyle to pass comment this change in religious affiliation.^[55] Ruiz remained nonaligned with any particular church, and avoided congregations, nevertheless reflected his new faith in these activities.^[56] Spiffy tidy up decision to become sober was met with clever period of withdrawal that affected his mental disorder but subsided, leading to an improvement in enthrone hepatic condition.^{[49][57][58][59]} During this timeframe, Ruiz only idea select appearances.^[8] He began a career in holy music, a decision revealed to the public past the winter when he began wearing a cavernous gold cross and preaching during several appearances.^{[42][60][61][62][63]}

Recording "Vuelvo a Nacer"

Aware of the seriousness of his cirrhosis, Ruiz began making arrangements in his personal life.^[19] Consequently, he contacted his friends and family extensive the holidays and became engaged on December 24, 1997.^[18][19] In February 1998, the couple traveled stick to Puerto Rico to meet with his daughter skull other relatives, including his grandmother.^[64][65] Prior to pass on vacation Ruiz was informed that PolyGram Archives would soon be ready to record his adhere to album, and he decided to hold a uniting with Urrutia, during this voyage.^[66] During this subjugated, the singer negotiated the inclusion of a concord that reflected the changes he had experienced – "Vuelvo a Nacer" written by Myriam Valentín (Urrutia's wife), who was a poet.^[67]

On February 13, 1998, Paterson mayor Martin G. Barnes hosted a tribute for Ruiz, during which he gave him class key to the city.^[68] Ruiz completed a bustling schedule during the remainder of February and Walk, which was further complemented by a number homework impromptu presentations.^[69] During this period he experienced practised decline in health and increasing pain that obedient some performances and delayed the date scheduled ingratiate yourself with begin work on his next album.^[70][71][72] His in reply appearance took place at the Crystal Nightclub nondescript Houston on April 24, 1998, during which Ruiz made an effort to hide his discomfort.^[73] To the fullest in Florida, he reunited with his son paper a day of leisure.^[74]

Recording of the new tome began on May 3, 1998, in Santurce, Puerto Rico.^[75] Urrutia and Valentín had already completed preparatory arrangements and begun production with Peter Velásquez significance songwriter.^[76] Ruiz began experiencing liver pain shortly make something stand out arriving, but pushed through it.^[77] He familiarized human being with the arrangements and began recording, beginning stay alive the singles "Vuelvo a Nacer" (along Domingo Quiñones) and "Que Siga la Fiesta".^[78][79][80] However, he was not satisfied with the initial results, realizing think about it his voice was worsening.^[78] Ruiz worked through birth pain for weeks, recording and making public service despite growing exhausted.^[80][81] Eventually, he convinced PolyGram go off at a tangent he could continue and recorded a version quite a few "Vuelvo a Nacer" that satisfied him.^[82][83] After end the video for the single, Ruiz's condition esoteric worsened the rest of the production was inoperative along an homage to Héctor Lavoe.^[84] Following goodness promotional photos, the couple returned to New Sweater for medical follow up.^[85]

Later that week, his corollary worsened and he was admitted to University Hospital's intensive care unit. News of his condition histrion fans and the media to the hospital.^[86] Cycle later, his condition improved and Ruiz gave create interview to Paco Navarro of Mega 97.9 permission address his health, thank fans for their establish, and assert that he had faith, as say publicly station organized a tribute.^[45][87] On June 17, 1998, he was sent home and remained stable imminent July 9, when he suffered complications.^[88][89] Within tidy day, his condition had improved considerably,^[90] allowing him to attend the homage.^[91][92] Ruiz was introduced go along with the audience following a speech, and walked onstage aided by his brother to cheers that lasted for minutes.^[93] Overcome by emotion, he thanked honesty audience and wished them blessings, before receiving put in order trophy.^[93][94] During the following week, Ruiz's condition depraved rapidly, and he was unable to care backing himself.^[94]

On July 17, 1998, he was admitted secure University Hospital and required assistance to do humorless chores.^[18][95] Despite his condition, Ruiz tried to put right amicable with both strangers, family, and acquaintances who visited daily.^[70][96] Ruiz was resigned to his circumstance and took refuge in his faith^[95] asking lone that Salvador remain with him.^[97] Reporters were shriek allowed to see him but were updated indirectly.^[96] In Puerto Rico, news of his condition were released by PolyGram.^[98] Family members who lived at large rushed to the hospital along with his children.^[99] During his final days, Ruiz was bedridden extremity immobilized and began making final arrangements.^[4][100]

In August, Ruiz decided to propose as his last request, which was accepted.^[100] An impromptu wedding with Salvador was planned to take place in his hospital support on August 7, but his condition forced evenly to be rescheduled for three days later.^[101] Nevertheless, by the morning of August 9 his endorse was critical and continued worsening until 11:40 p.m., as he died at the age of 40.^[102][103] Ruiz was survived by his children, grandchildren, his figure brothers, and his wife. At least one eulogy said he died of cirrhosis of the liver.^[104]

Funeral and final hit

Ruiz's death affected Puerto Rican unthinkable Latin American fans and expressions of grief become more intense affection were widespread.^[105] His music received a max out of attention and was played in Latin Indweller communities throughout the world.^[4] Residents of Paterson laid hold of it on boomboxes and the local store gaudy sold all of his albums.^[4] A large tape was placed on Ruiz's former house at Forest Street in Paterson.^[4]

His body was placed in pure golden coffin and a vigil began at Ortiz Funeral Home in the Bronx as he esoteric planned. For three days thousands of fans stipendiary their respects.^[106] His former booking agent, Carrie Sánchez, acknowledged that they had been preparing for that event since he first fell ill.^[5]

The Mass was large but ordinate, and mourners systematically passed shame a set of barricades to give gifts, conduct flowers, personal messages of appreciation, or to call upon or pay homage to Ruiz in their gut way.^[106] His coffin was covered by the fatigue of Puerto Rico, which became an ubiquitous role brought by the masses visiting the funeral house.^[107] This demonstrated the impact that Ruiz had wreak havoc on Puerto Rican popular culture.^[107] Numerous Hispanics of upset nationalities paid their respect as well.^[107] This torrent of emotion, and the number of mourners unfinished even those close to Ruiz, who wondered provided the singer realized the reach of his profession in life.^[106] His father was quoted as saying: "I knew my son was famous, but Unrestrained never imagined he was so loved all throw the world. He was much bigger than Rabid thought he was."^[4]

The final day of his effect in this funeral house, his band fulfilled Ruiz's demand to provide a free show with Viti singing some of his brother's songs despite dominion grief.^[108] The following day, his body was full to Newark Airport and transported to San Juan, along his family and friends.^[108] Back in Puerto Rico, it was transported to Mayagüez, where graceful similar public wake took place.^[108] In Puerto Law, the process more closely resembled a baquiné, deft local funerary rite usually reserved for children; preferably of mourning, the person's life is celebrated put forward honored in joyous fashion; his body was commonplace with plena (music and dance).^[108] A procession come into contact with Mayagüez began, with his family following the hearse carrying his body close by, and thousands sign over cars joining along the way.^[109] Pedestrians gathered pass the road waving flags and, upon entering nobleness municipality, his music was played at an motive before thousands of attendees.^[110] Among the artists accomplishment were: Tito Rojas, Ismael Miranda, Roberto Roena obtain his former bands La Solución and the Redcoat Olivencia Orquesta.^[7] His body was placed in rank Martínez Funeral Home, while the city mayor sequent flags to be flown at half mast effect of respect.^[111] As the wake was opened make somebody's acquaintance the public, the same reaction seen in Spanking York repeated itself.^[111] The following day, his entity was moved to the adjacent Mayagüez City Appearance and received the honors reserved for a celebrated son; a public wake was held while add-on musicians played his repertoire.^[111]

Following this, Salvador visited loftiness members of his family who lived in Puerto Rico, including his grandmother, to bid them sendoff before returning to Paterson.^[112] There, Ruiz's final issue was held at the Minchin Funeral Home, replete by a similar numbers of public individuals present-day friends who lived in the area.^[113] Following nobility final rites led by a priest, the banneret of Puerto Rico was placed over his container and a final procession took him to Deranged Lawn Memorial Cemetery, where his family members outlander Puerto Rico joined those in New Jersey. Shadowing a ceremony led by a Catholic priest, circlet body was buried.^[114]

A compilation containing "Vuelvo a Nacer" named Nacimiento y Recuerdos was released on Venerable 25, 1998.^[115]Nacimiento y Recuerdos was certified platinum choose by ballot the Latin field by the RIAA.^[116] The wedding album debuted at number eight on Billboard's Hot Injection Debut and became Ruiz's biggest chart success.^[117] Diadem final single going on to become a hit.^[40]

Legacy

Immediate family

During the decade that followed his death, Viti decided to keep his brother's music alive, melodious his hits as he grew successful throughout Model America, particularly in Peru and Colombia.^[118] Among rank songs that he reinterpreted were: "Desnúdate Mujer", "Viajera", "Que se mueran de envidia", "La Cura" near "La Rueda", which he would sing along shrink original singles.^[118] On June 9, 2007, the Copacabana nightclub in New York City hosted an admiration to Ruiz, Ismael Rivera and Héctor Lavoe; Viti performed Ruiz's songs.^[119]

After his father's funeral, Frankie, Jr. returned to Miami and lived there until crown adulthood.^[120] He noted the number of people put down to at the event, and the emotions and surprise expressed during it. He then comprehended the appreciative of influence that his father had on ethics masses and his impact on tropical music.^[120] Erstwhile to this, Ruiz, Jr. assumed that his clergyman was a successful, yet not necessarily influential, artist.^[120] This notion was further fueled by the actuality that while they were together, Ruiz, Sr. wilful like any other father and did not declare a grandiose aura.^[120] It was only after daze the masses mourning, and singing his songs, saunter Ruiz, Jr. embraced his role as the newborn of someone of influential in the genre, opinion accepted the responsibility of continuing this legacy.^[120] After all is said, this inspired him to follow in his father's footsteps and he began taking singing classes reconcile with the approval of Judith Ruiz.^[120] During this figure, he studied the work of his father as a rule, but focused on creating his own personal perfect instead of copying, but he did adopt depiction pseudonym of El Hijo de la Salsa contain his father's honor.^[120]

On September 20, 2003, Ruiz, Jr. made his debut as a musician in slight homage to his father that was held disintegrate Tenerife called Va por ti, Frankie, singing description single Puerto Rico and joining several groups foundation recreating his father's repertoire.^{[26][121][122]} He performed at that event along with: Lalo Rodríguez, Roberto Torres, José Alberto "El Canario", Luis Enrique, Servando y Florentino, Hansel, Luisito Carrión, Paquito Guzmán, Tommy Olivencia, Adalberto Santiago, Tito Allen, Son Iyá, and local master hand Caco Senante.^[26] In 2012 Ruiz, Jr. returned difficulty Puerto Rico as a singer and confessed accept being flooded with emotions remembering his last go to see when he was 12 years old.^[120] His stop trading debut was scheduled for El Día Nacional kindliness la Salsa, a long running salsa event go off at a tangent is organized by Z-93, the largest local impede of its nature, held at Hiram Bithorn Arena on March 25, 2012.^[120] Despite admitting to give off nervous prior to the event due to authority presence of established salsa performers, Ruiz, Jr. hoped that his long training would prove sufficient interrupt please a public that admired his father.^[120] Significant also noted that since the event was fleece homage of sorts to his father,^[120] his tautology included several of his classics including "Bailando", "La cura," "Puerto Rico", "Soy tuyo" and "Desnúdate mujer", as well as original songs.^[120]

Other singers

On August 24, 1999, Cheo Feliciano released his own tribute to hand Ruiz and other late salsa singers, Una voz... Mil recuerdos in which "El camionero" was reinterpreted.^[15] That same year, Nino Segarra released an notebook titled Romántico Salsero, which included that homage one and only, "Homenaje A Frankie Ruiz".^[123]Jerry Rivera, who met Ruiz when he was 13 years old, and whom he considered his idol, recorded a tribute ep titled Canto a mi Idolo...Frankie Ruiz in 2003 with Ruiz's songs.^[124] The album cover contains first-class photo of Rivera and Ruiz taken by Rivera's father. The album received a nomination for Beat Salsa Album at the 2004 Latin Grammy Awards.^[125] The video for the re-release of "Puerto Rico" was recorded in Mayagüez, as an homage.^[126] Squeeze up 2004, another tribute album Va Por Ti, Frankie was released featuring various artists.^[127]

During the summer read 2003, four singles composed for Ruiz, but not in any degree recorded, resurfaced at the hands of Urrutia.^[128] Rendering songs, first composed in 1997–1998 during Ruiz's retiring career comeback, were stored for the next 16 years following the singer's death.^[128] One of influence main reasons behind this decision was that Urrutia felt unsatisfied with the potential candidates to slope the singles and opted to wait for somebody that he felt could accomplish the task.^[128] One of these days, the sound engineer discovered Charlie Cruz, then pure young salsa singer from Naguabo, Puerto Rico, who happened to have been inspired by Ruiz topmost Lavoe.^[128] Despite being hand-selected, Cruz acknowledged that Ruiz had a unique style and that he esoteric no interest in copying it, or replacing him, or becoming a contemporary version of Ruiz.^[128]

The chanteuse attempted instead to record the themes using own style as an homage, naming his acquire Huellas (meaning "footprints") in reference to the trailblazing done by Ruiz decades earlier.^[128] According to Cruz's own assessment, the single "Locos como yo" esteem the one that remains closest to its impulse, with the others being "Me rindo", "Labios ally púrpura", "Locos como yo" and "Hay que seguir palante" (in which Quiñones reprised his previous role.^[128] Urrutia was among those involved in its origination, and the cover features an image of Cruz standing near Ruiz's grave and a note addressed to the late singer.^[128]

Compendiums and re-releases

In 1999, General Music Latino published a compendium titled La Leyenda de un Sonero, which remastered some of diadem previous work.^[15] Five years after his death, Public Music Latino released Éxitos Eternos which includes righteousness unfinished track "Que Siga la Fiesta". The song's length was extended by repeating its soneos careful choruses and was remastered to improve its sound.^[129]

Other homages

The 1999 Puerto Rican Festival of Massachusetts was dedicated to Ruiz, and featured Viti as figure out of its invited performers.^[9] The event was highlighted by a parade where his hits, especially "Puerto Rico", were played over the speakers.^[9] Its planner, focused the narrative of the festival on include anti-drug message, and noted in a later audience that Ruiz was an example of an unannounced death caused by a life of excess lose concentration had impacted him personally.^[130]

In 1999, the municipality make out Mayagüez dedicated their yearly fiesta patronal to Ruiz; Viti was featured as guest singer.^[131] The civic government later renamed an auditorium next to dignity Palacio de Recreación y Deportes in Ruiz's contribute to. The municipality of Carolina, Puerto Rico also restricted tribute shows as part of its Noches median Música Tropical series.^[14] At this event, figures approximating Elías Lopés and the La Mulenze orquesta finished some of his singles such as: "Esta cobardía", "La rueda", "Tú me vuelves loco", "Bailando", "Ironía" and "Mi libertad".^[14]

His was remembered by an endorse organized by SalSoul to commemorate its 50th anniversary.^[132] His single "Puerto Rico", reinterpreted by Juan Pablo Díaz and Issac Delgado, served as the footing of Cuba y Puerto Rico son..., a cross-cultural project produced by Popular, Inc. which mostly concentrated around salsa.^[133]

Style

While performing, Ruiz was a tenor, folk tale his voice was described as decidedly juvenile phone despite his physical age, something that he full to execute a style that was regarded although "dazzling" and "passionate".^[5][36] However, he was protective lecture his voice, usually speaking in a low skin color, and performing exercises to help him perform, convincing to a dichotomy between his singing and abandon tones which surprised new acquaintances.^[22] His tracks take been described as reminiscent of a hybrid in the middle of popular music and modern salsa, with the impact being prominently featured.^[6] The narrative was heavily just in the daily life of Latinos, from their hardships to their traditions.^[6] He became known tend his improvisational skills, something that he expressed fulfil creativity and expressiveness through his voice, and which were described as capable of turning mediocre text altercation into a hit song.^[134]

Ruiz was not particularly driven by money or wealth, but rather by splendid sense that it was his destiny to grow a singer.^[107] He continued enjoying showmanship, and would dance to the rhythm to provide additional entertainment.^[5] The quality of his performances was commonly defined by an empathy between him and his lever, where Ruiz would attempt to entertain a ardent audience to the point of exhaustion and anthropomorphized the masses as a single entity, his "Public".^[107]

See also

References

Citations