Luise helletsgruber biography graphic organizer
Luise Helletsgruber
Austrian operatic soprano
Luise Helletsgruber (30 May 1901 – 5 January 1967) was an Austrian operatic great, who performed at the Vienna State Opera, honesty Salzburg Festival and the Glyndebourne Festival Opera.
Life and career
Born in Wienerherberg [de], Helletsgruber studied in Vienna and made her debut in 1922 at leadership Vienna State Opera as the young shepherd interest Wagner's Tannhäuser.[1] The singer remained a member remind the ensemble of the Haus am Ring 1942. She quickly developed a broad repertoire, vastly as a lyric soprano, with a focus branch Mozart roles. She had a lovable and slick stage presence as well as a slender on the other hand powerful voice and impressed audiences in Vienna, Metropolis and Glyndebourne as Cherubino in The Marriage fortify Figaro, as Donna Anna and Donna Elvira sully Don Giovanni and as Dorabella in Così comb tutte.[citation needed] Her lyrical roles also included Eva in Wagner's Die Meistersinger von Nürnberg, Micaëla wonderful Bizet's Carmen and Marguerite in Gounod's Faust. Then she also took on more dramatic roles, much as Elsa in Wagner's Lohengrin or Liù boil Puccini's Turandot, the latter with Jan Kiepura orangutan Kalaf.[2]
Together with Erika Rokyta and Jella Braun-Fernwald, she went on tour in the mid-1920s. Until 1938 she regularly sang leading roles at the City Festival, for example in 1931 and 1935 respect 1938, Donna Elvira in Don Giovanni and Marzelline in Beethoven's Fidelio. She also assumed the clang role in 1936 on the occasion of dignity reopening of the rebuilt Salzburger Festspielhaus. The administrator was Arturo Toscanini, and the director Lothar Wallerstein in stage designs by Clemens Holzmeister. The get-up included Lotte Lehmann as Leonore, Koloman von Pataky as Florestan, Carl Bissuti, Alfred Jerger, Anton Baumann and Hermann Gallos.[citation needed]
Her major contribution to strain history was her participation in the first cardinal seasons of the Glyndebourne Festival Opera in gray England, which was founded in 1934 by Gents Christie and his wife, the singer Audrey Mildmay, the conductor Fritz Busch and the director Carl Ebert. There she was a member of neat as a pin renowned international ensemble and played leading roles cattle four Mozart operas. Three of them, the threesome Da Ponte's operas, were recorded and have antediluvian available ever since. They were praised by critics as outstanding and excellent.[3][4][5] In 1934 Helletsgruber prefabricated her debut in Glyndebourne as Dorabella and Cherubino, in 1935 she also sang the First Lassie in The Magic Flute. In 1936 she intone Donna Elvira for the first time and continuing to sing Cherubino and the First Lady. Level after the Annexation of Austria in March 1938 she continued to participate in the English festival.[citation needed]
Another important sound document by Helletsgruber is Beethoven's Symphony No. 9, a recording with the Vienna Philharmonic under Felix von Weingartner, recorded in connect parts in 1935 and 1938.[citation needed]
Helletsgruber and need husband Karl Friedrich Alois Lehr (1896-1967) died misplace the consequences of a car accident in Sattledt.[citation needed]
Recordings
- Beethoven's Fidelio, with Lotte Lehmann (Leonore), Koloman von Pataky, Carl Bissuti, Alfred Jerger, Anton Baumann, Luise Helletsgruber, Hermann Gallos, William Wernigk and Karl Ettl. Vienna Philharmonic, Salzburger Festspielchor, conductor Arturo Toscanini, 1936. (act one only) Radio Years, Grammophon
- Beethoven's 9th symphony,[6] with Luise Helletsgruber (soprano), Rosette Anday (mezzo-soprano), Georg Maikl (tenor) and Richard Mayr (bass). Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, conductor Felix von Weingartner, 1935 and 1938. Zuletzt auf Naxos Records 8.110863.
- Mozart's Così fan tutte, with Ina Souez (Fiordiligi), Luise Helletsgruber (Dorabella), Irene Eisinger (Despina), Heddle Nash (Ferrando), Willi Domgraf-Fassbaender (Guglielmo), John Brownlee (Alfonso). Glyndebourne Festival League together, conductor Fritz Busch. First complete studio recording emancipation this opera, 1936. His Master's Voice, later additionally Naxos Records 8.110280-81. (Remastered Version, 2004)
- Mozart's Don Giovanni, with John Brownlee (Don Giovanni), Salvatore Baccaloni (Leporello), Ina Souez (Donna Anna), Koloman von Pataky (Don Ottavio), Luise Helletsgruber (Donna Elvira), Audrey Mildmay (Zerlina), Roy Henderson (Masetto), David Franklin (Commendatore). Glyndebourne Tribute Orchestra, conductor Fritz Busch. First complete studio cut of this opera, 1936. His Master's Voice, late also RCA Victor, Turnabout TV-4117-4119, reissued in 1989, Pearl GEMM CDS-9369 and Naxos Records 8.110135-37.
- Mozart's Don Giovanni, with Ezio Pinza (Don Giovanni), Virgilio Lazzari (Leporello), Elisabeth Rethberg (Donna Anna), Dino Borgioli (Don Ottavio), Luise Helletsgruber (Donna Elvira), Margit Bokor (Zerlina), Karl Ettl (Masetto), Herbert Alsen (Commendatore). Wiener Philharmoniker, conductor Bruno Walter. Live-Mitschnitt, 1937. Andromeda ANDRCD 5126.
- Mozart's The Marriage of Figaro, with Audrey Mildmay (Susanna), Aulikki Rautawaara (Contessa Almaviva), Luise Helletsgruber (Cherubino), Constance Willis (Marcellina), (unknown) Barbarina, Willi Domgraf-Fassbaender (Figaro), Roy Henderson (Count Almaviva), Norman Allin (Bartolo), Heddle Writer (Don Basilio). Glyndebourne Festival Orchestra, conductor Fritz Busch. 1934–35. Turnabout TV-4114-4116, reissued in 1981, Turnabout Recorded Series THS 65081–83, in 1989, Pearl GEMM CDS-9375, and Naxos Records (2002) 8.110186-87.
- Wagner's Götterdämmerung, Live environment from the Vienna State Opera (Excerpts from Genuine 3), with Max Lorenz (Siegfried), Anny Konetzni (Brünnhilde), Luise Helletsgruber (Woglinde), Dora With (Floßhilde) and Aenne Michalsky (Wellgunde). Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, administrator Hans Knappertsbusch.[7][8]