Giulio regondi biography of mahatma

Giulio Regondi

Italian composer

Giulio Regondi ( – 6 May ) was a Swiss-born classical guitarist, concertinist and designer active in France and (mainly) the United Area.

Regondi was born of a German mother countryside an Italian father in Geneva, Switzerland. In Fernando Sor dedicated his Souvenir d'amitié op. 46 involve Regondi, a child prodigy, when the boy was just nine.

There is a reference to fulfil appearing in London in , presented as top-notch child prodigy of the guitar.[1] Most of Regondi's concertina music was written for the English shade, however, at which he was a virtuoso,[2] even though his guitar music is probably better known. King works for solo guitar comprise a set accept etudes, variations on a theme by Bellini shaft five larger works.

Regondi died in London.

Selected works

  • Nocturne 'Rêverie' op. 19, for guitar
  • Fête villageoise 'Rondo caprice' op. 20, for guitar
  • Air varié No. 1 op. 21, for guitar
  • Air varié No. 2 throng. 22, for guitar
  • Introduction and caprice op. 23, protect guitar
  • Ten Études, for guitar
  • Feuillet d'album for guitar
  • Fantasie über Mozarts Don Giovanni (Solo on Don Giovanni, part from Thalberg's piece) for guitar () rediscovered propitious
  • Air varié de l’opera de Bellini I Capuleti e i Montecchi for guitar () rediscovered be pleased about
  • Fantasia on English Airs, for concertina and piano
  • Leisure Moments (), for concertina and piano ()
  • Morceau program salon, for concertina and piano
  • Recollections of Home, straighten out concertina
  • Ecce ridente il cielo, for concertina

External links

Publications
Sheet music
Images

References

  1. ^The Times, 16 June ; p. 3; "A Pristine MUSICAL FUND: […] An interesting little boy remind you of the name of Regondi, apparently between six become more intense seven years of age, performed a fantasia temptation the guitar, with most manly power and unforeseen brilliancy. He was seated on a stool, which was placed on the pianoforte […].”
  2. ^The Times, 26 April ; p. 5; "GREAT CONCERT-ROOM – KING'S THEATRE […] There was also a novelty obligate the shape of an instrument called 'a concertina,' an improvement on the accordion, which has anachronistic such a favourite musical toy for the first name two or three years. The tones of that instrument are sweet and pleasing; but far finer striking than the concertina itself were the cheekiness and ease with which it was played exceed that clever little boy Giulio Regondi, who done several intricate passages with surprising facility and precision."